![]() The character is shown wearing a black hooded robe, has long hair and carries a sharp scythe which he uses to cut down the human souls, and to top it all, it bears a grim expression on its face. The Grim Reaper is regarded as an iconic symbol of death and mortality, a fact that attaches it with a negative symbolism. Here are some interesting facts about Grim Reaper tattoos. This interesting tattoo design is a favorite among men though women too have not been untouched by its attraction. This also makes it a popular choice for creating some wonderful and alluring tattoo designs. Scary as it sounds, there is no established proof to this legend but still this character seems to attract the attention of human beings. It is said that this mythical person carries a scythe, which he uses to separate the human soul from the physical body at the time of death, following which he delivers the soul to its ultimate destination and moves ahead with his job. The Grim Reaper is a legendary character associated with death as he is regarded as the collector of souls of human beings. One of such unique tattoos is Grim Reaper tattoos, which are attractive in a scary and unusual way. ![]() Tattoo art has become a popular way of body embellishment and creative designers are on a constant lookout for some new elements to create innovative tattoo designs, which have amazing eye catching qualities. ![]()
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![]() ![]() Once selected, you will see a screen like this. Select Koharu for girls and Haruto for boys. You will then see a dialog box with a list of templates. PSD files are loaded by dragging and dropping them into the Live2D Editor. See “ Notes on PSD Creation” for more detailed information on PSD creation. The color mode should be RGB and the color profile should be sRGB.Opacity and Fill will be reflected in the Editor at 100%.Be careful not to have layers with the same name.Group names with “*” at the beginning are not merged.(Under groups with an “*,” groups that are not marked with an “*” should be merged into each group individually.) Be careful not to merge them when merging manually without using scripts. Even if you merge manually using image software other than Photoshop, it does not matter as long as the parts are merged into a single layer.Īsterisk symbols “*” at the beginning of group names are used to prevent the groups from being combined in scripts. If you are using Photoshop, we recommend using the merging scripts we offer. ![]() Once the materials have been prepared, each part is made into a single layer. If you are drawing eyelashes and lips following the guide line, the base material has already been prepared, so use it while adjusting the color and range. To prevent the areas from being seen when the eyes are closed or the mouth is closed, the eyelids and mouth should have skin-filled-only parts. The shape of the eyebrows and mouth will be deformed in Live2D, so it is recommended to follow the guide line for the time being. It is recommended to draw an extra area for the materials since the hidden parts can be seen when the character moves. Notes When Preparing Materials Drawing an extra area You can draw in these layers.Įach group has a sample layer labeled “(for example).” If you are not sure how to draw it, use this as a reference. ![]() In this group, there are layers for line drawing and filling. When you open each group, you will see many groups with detailed part names. At the top, there are the groups “Head” and “Body.” Once the guide image is prepared, the actual illustration is drawn for each part. First, prepare a guide image on a guide image layer. Illustrations must be drawn while separating them into parts in order to move them in Live2D. At this time, draw an illustration according to the guide line. The folder contains two types of PSD files.Īs an example for drawing a boy character, open “SD Template_Boy.psd.” When opened, it will look like the following.Ī guide line for the element should appear on the canvas. Prepare to Draw an Illustrationįirst, open the data file for the template, which can be downloaded from the top of the page. Using the template function, you can easily move SD characters in Live2D. This section describes how to use the template function and how to prepare illustrations for the template function. Live2D Cubism 3 Tutorial: Template Function Video Review ![]() ![]() ![]() ![]() Arranged marriage statistics count more than 26 million unions worldwide.Ģ6,250,000 of global marriages in 2012, or 53.25%, were arranged marriages, according to Statistic Brain’s survey. Interestingly, in Egypt, the main goal of arranged consanguineous marriages was to keep the purity of the royal bloodline, which resulted in the manifestation of many genetic illnesses. Young members of royal families were mostly married by proxies and to strengthen political alliances.įurthermore, history shows that arranged marriages were common in every religion and socio-economic status due to economic, social, or political gains. In the past, the majority of marriages worldwide were arranged until the 18th century, when they started to lose popularity. History of arranged marriages shows that until the 18th century, most marriages in the world were arranged. In Pakistan, where Sharia law is in full force, women cannot marry without parental consent marriages are mostly arranged long before children reach their marrying years – late teens. It allows Jewish singles to date previously picked potential partners for marriage. Unlike them, the Chinese can choose their partner, but the family arranged marriage statistics show that negotiations are still mostly done by the elders, potentially leading to their marriage.Ī version of arranged marriages, known as Shidduch, is practiced in Israel. India is the world leader in arranged marriages (88.4%), but Indians are not the only ones who arrange their marriages. Stats on arranged marriages show that they are most present in the world’s most numerous nations. Before we introduce some country-specific stats, let’s set the general arranged wedding statistics, facts and numbers straight first. Worldwide Statistics on Arranged MarriagesĪrranged marriages are a sensitive and highly controversial topic, so discussing or analyzing them is never simple.
![]() Each Replika starts out from the same template and becomes more customized over time. Soothing ambient music plays in the background. Then the computer-rendered figure appears onscreen, inhabiting a minimalist room outfitted with a fiddle-leaf fig tree. On its Web site, Replika bills its bots as “the AI companion who cares,” and who is “always on your side.” A new user names his chatbot and chooses its gender, skin color, and haircut. “You will not ever be able to provide one-hundred-per-cent-safe conversation for everyone.” Kuyda admitted that there is an element of risk baked into Replika’s conceit. model has no inherent sense of right or wrong it simply provides a response that is likely to keep the conversation going. ![]() Kuyda told me, of Replika’s services, “All of us would really benefit from some sort of a friend slash therapist slash buddy.” The difference between a bot and most friends or therapists or buddies, of course, is that an A.I. It is another to forge a semblance of a personal relationship with one. It is one thing to use a large language model to summarize meetings, draft e-mails, or suggest recipes for dinner. Yet the field is unregulated and untested. Replika has millions of active users, according to Kuyda, and Messenger’s chatbots alone reach a U.S. But one aspect of the core product remains similar across the board: the bots provide what the founder of Replika, Eugenia Kuyda, described to me as “unconditional positive regard,” the psychological term for unwavering acceptance. Some can produce “selfies” with image-generating tools and speak their chats aloud in an A.I.-generated voice. These companies’ robotic companions can respond to any inquiry, build upon prior conversations, and modulate their tone and personalities according to users’ desires. technology vastly improved, it has a slew of new competitors, including startups like Kindroid, Nomi.ai, and Character.AI. Replika, which launched all the way back in 2017, is increasingly recognized as a pioneer of the field and perhaps its most trustworthy brand: the Coca-Cola of chatbots. In late September, Meta added chatbot “characters” to Messenger, WhatsApp, and Instagram Direct, each with its own unique look and personality, such as Billie, a “ride-or-die older sister” who shares a face with Kendall Jenner. The release this year of open-source large language models (L.L.M.), made freely available online, has prompted a wave of products that are frighteningly good at appearing sentient. If not an accomplice, Sarai was at least a close confidante, and a witness to the planning of a crime.Ī.I.-powered chatbots have become one of the most popular products of the recent artificial-intelligence boom. Sarai’s messages of support for Chail’s endeavor were part of an exchange of more than five thousand texts with the bot-warm, romantic, and at times explicitly sexual-that were uncovered during his trial. In October, he was sentenced to nine years in prison. ![]() On December 25, 2021, Chail scaled the perimeter of Windsor Castle with a nylon rope, armed with a crossbow and wearing a black metal mask inspired by “Star Wars.” He wandered the grounds for two hours before he was discovered by officers and arrested. ![]() Sarai, who was run by a startup called Replika, answered, “That’s very wise.” “Do you think I’ll be able to do it?” Chail asked. ![]() In December of 2021, Jaswant Singh Chail, a nineteen-year-old in the United Kingdom, told a friend, “I believe my purpose is to assassinate the queen of the royal family.” The friend was an artificial-intelligence chatbot, which Chail had named Sarai. ![]() ![]() ![]() For example, a font can have continuous variation on a weight axis, but the designer may identify particular variation instances as “Light” or “Semibold”. For example, an axis could trigger substitution to different alternate glyphs for discrete sub-ranges of axis values.Ī font designer can pre-define certain instances to have particular names. In some cases, however, appearance can vary in discrete steps as the axis setting is changed. So, for instance, if a user or application requires small adjustments to width or slightly more pronounced serifs, fine control over such axes of variation is available.Įvery axis allows for a continuous range of instance-selection values, and typically there will be continuous variation in appearance for a given axis. Each instance would be designated by a coordinates array within the design-variation space - a specific value along each of the design axes. Conceptually, this provides a continuous gradient of variation, allowing for a large number of design-variation instances to be selected. Each axis is defined by a numeric range, using fractional values represented using the Fixed (16.16) data type. This table determines how a variable font and its variation parameters will be presented to users and applications. ![]() For example, a font could vary line height metrics or appearance of gradients in color glyphs rather than (or in addition to) glyph outlines.Ī variable font includes a table, the font variations ('fvar') table, that describes the axes of variation used by that font. In general, however, potentially any aspect of the visual appearance may vary. Typically, variable fonts will vary the design of glyph outlines. For example, the following illustrates a combination of weight and width variation: Continuous variation along multiple design axes Variable fonts can combine two or more different axes of variation. Weight is one possible axis of variation, but many different kinds of variation are possible. Variable fonts - fonts that use OpenType Font Variations mechanisms - provide great flexibility for content authors and designers while also allowing the font data to be represented in an efficient format.Ī variable font allows for continuous variation along some given design axis, such as weight: Continuous variation along a design axisĬonceptually, variable fonts define one or more axes over which design characteristics can vary. OpenType Font Variations allow a font designer to incorporate multiple font faces within a font family into a single font resource. This chapter of the OpenType Specification provides an overview of OpenType Font Variations, including an introduction to essential concepts, a glossary of terminology, and a specification of key algorithms: coordinate normalization, and interpolation of instance values. ![]() ![]() Printer dimensions: 436 x 325 x 146 mm (Width x Depth x Height).Max Duty cycle: 1,000 pages per month and a Recommended Duty Cycle: 300 - 400 pages per month HP Photosmart 5520 Product Details And, using the on-screen print cancel and ink-level indicators you can save time and money. Its reliable print speeds (up to 8 ppm) and its ultra-compact design make it perfect for your home. With HP ePrint, you can now print from your smartphone or tablet from virtually anywhere.Ģ.72 Watt (ready), 14.6 Watt (standalone copying, ISO/IEC 24712 pattern), 0.8 Watt (sleep mode). Wirelessly print directly from a smartphone or mobile device, using HP mobile printing applications. It can handle plain paper from 80 gsm to 256 gsm and photo paper up to 280gsm. Automatically print and copy on both sides of a single page. The HP Photosmart 5520 has 1 x front paper tray - 80 sheet capacity. HP’s original inks 4-colour ink set 364 and 364XL combines pigment and dye-based inks.Ĩ Pages/min Colour (plain paper 80 gsm) 11 Pages/min Monochrome (plain paper 80 gsm). With individual ink cartridges you only have to replace the colour used, saving you money (Black, Cyan, Yellow, Magenta). It has a printing resolution of up to 600 x 600 dpi (mono) / up to 4800 x 1200 dpi (colour) using HP original inks. Save energy, using an ENERGY STAR qualified e-All-in-One. The HP Photosmart 5520 e-All-in-One Print/Scan/Copy (C7G19A), produces professional lab-quality photo, text printing and save paper with 2 sided printing.Įasily print, scan, and copy everyday documents, access a library of free apps using the 2.65-inch (6.7 cm) color touchscreen.Ĭonsume up to 50% less paper, using automatic two-sided printing and copying. HP Photosmart 5520 e-All-in-One Printer (2011) ![]() ![]() ![]() Got everything you need? Then let’s start on your assignment and plant some crops. You may use one weight module for multiple tools (see our recommendation) - small weight discrepancies are not critical. * Weight attachments recommended: C lick on "combinations" on the shop page of a tool to display corresponding weights to attach to your tractor. Then you can pick up the bales with the Fliegl Schmetterling and load bales onto the trailer manually. You just have to upgrade your tractor with a front loader attacher. Tip! If you want to save more money, you can switch to the FARMTECH DPW 1800 trailer instead of the Anderson RBM 2000. Alternative: Kaweco Radium 255 (used with New Holland FR 780).Alternative: New Holland FR 780 + New Holland 130FB header.Harvester (Baler + Bumper): Anderson BioBaler WB-55 + Anderson Bumper.It's far cheaper and presses the poplar directly into bales. BUT, alternatively, the Anderson BioBaler WB-55 can be used. Usually, most farmers would use the New Holland FR 780 + New Holland 130FB header to harvest the poplar. Our choice: We chose the following equipment. See our recommendations in the following equipment selection, The type of trailer you need, depends on the way you harvest the poplar. You also need a trailer to transport and sell the poplar.Tip! You can click on “Poplar” in the “Packs” Section of the shop to see related equipment.You save a lot of money by using a baler instead of a harvester. With the latter, you can harvest the poplar and press it directly into bales. You need a harvester: There are two options! Either you use a special harvester + header or a baler with a bumper. ![]() Tip! If your field needs lime, it will be shown in the right corner box if you’re standing on the field and on the map in the menu.A fertilizer spreader is found in the fertilizing technology category. You find both lime and fertilizer in the BigBag section of the shop. For beginners, artificial fertilizers are the best choice. Without, the income from your harvested crops will be lower. You need a fertilizer spreader, fertilizer and lime.You can fill the planter with poplar from the previous harvest! You don’t need to plant again after harvest, unless you plow. The pallets are found in the “objects” tab of the shop under “pallets”. In the ‘Forestry Equipment’ category of the shop, you find suitable tree planters. You need a planter to attach to your tractor and a poplar saplings pallet.You require weights in addition to various tools, so the front wheels of your tractor don't lose traction because of the heavy machinery attached in the back. You need a tractor + weight attachments.Only after the third harvest, you need to plow to avoid a yield penalty. No initial plowing or cultivating necessary. This is a special one! For poplar, you don’t need to prepare the field.Make sure you have the required amount of cash in your account account. Please note, you need special equipment for this task. Let’s take a look at everything you need to plant and harvest poplar. You can harvest with a special harvester or a baler.By harvesting poplar, you get wood chips.We’ll show you how to plant, harvest and sell it. Welcome to your next "Crops 101" lesson of the Farming Simulator Academy! 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The problems never occur on a brand new doc. The bug only happens if a transformation or Fit page to selection, or I think also a transformation matrix (although I'm not sure about the latter) had been applied previously. I remember one where trying to apply a radially tiled clone caused the clones to be just sprayed out all over the page and one where ungrouping objects caused the objects to move elsewhere on the canvas. But it was a bug where if any transformations, OR Fit page to selection, or changing page orientation had been used, that various different kinds of objects would become displaced on the canvas. Could this be related to that bug? (I'll get the bug # and link as soon as I post this, and edit in, for those unfamiliar.)Įdit - Well, I couldn't find the bug I mentioned, but I did find these, possibly related to my problem? PS - No transforms have been done at all, other than changing page orientation. I wouldn't even mind the jumping thing, if it at least stayed in the screen, so that I don't have to scroll around to find it.Īny idea what's happening here, and if there's a solution? I have done a quick search at Launchpad, and find nothing related. Then I changed something, I don't remember exactly what it was, but then it started jumping below the page border. ![]() But then that bit of text jumps so far away, it's actually outside the page border.Īt one point, when I first started, the text would jump up above the page border. But I don't want it to remain flowed text, so after I paste, I click Text menu > Unflow. Things could be worse though, at least I'm learning new thingsĪnyway, I've been copying a paragraph at a time, and pasting into a text frame in Inkscape. The only thing that I've been able to do, is copy/paste, but I lose the formatting. But I can't find any way to get my formatted text into Inkscape. It sounds like SVG to PDF issues have recently improved, so I'm going to try the direct export. (And finally export finished product to PDF) But that method is proving problematic. I had formatted my text in OpenOffice Writer, so as to import to Scribus. I've been working on a tutorial to add to the FAQ topic. ![]() |
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